![]() The one thing that graph editors are notorious for is when the notes starts sounding like its stretching/lossy. The best graph pitch correction I’ve ever had was with Cubase’s VariAudio. I go between it and Flex Pitch but Melodyne beats it. Melodyne is number one, I have nothing inherently bad to say about it. This is where the Auto-Tune and Waves plug-ins lack. Then we go into the graph editors such as Melodyne, Logic’s Flex Pitch etc. ![]() The waves one is pretty good but the UI is a little confusing now and then. ![]() Gsnap and the Logic stock one deliver very basic parameters resulting in a flat sound (from personal experience). The reason why Auto-Tune leads in this department because the parameters are detailed (vibrato, voice type, humanize, etc). If you’re trying to get a natural sound out of those real time plug-ins, you generally have to be singing in key the entire time (otherwise you’d want to use a Graph pitch correction, mentioned below). What someone like T-Pain does is purposely sing out of key so that the computer snaps it with a bounce. When you set your scale in a real-time pitch correction plug-in, the computer is pretty much snapping the note that’s out of tune to the nearest note that’s in the scale. To make this easier, it’s better to explain what the pitch correction plug-ins are doing before discussing the plug-ins themselves if you’re really looking to understand how it works.
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